Past Exhibitions

 

am_event_guerillag_150x110pxNot Ready to Make Nice: The Guerrilla Girls in the Artworld and Beyond

September 4 - November 14, 2014


Not Ready to Make Nice, a major presentation of the Guerrilla Girls, illuminates and contextualizes the important historical and ongoing work of these highly original, provocative, and influential artists who champion feminism and social change. The Guerrilla Girls have been powerfully and consistently active since first breaking onto the art scene in 1985. Appearing only in gorilla masks and assuming the names of dead women artists, the activist group has remained anonymous for nearly three decades while revealing shocking truths about sexism and prejudice in the art world and beyond. Beginning with their courageous poster campaigns of the 1980s and continuing with large-scale international projects, they brilliantly take on the art establishment in a way that has never been seen before or since. Using “facts, humor, and fake fur,” they have exposed the discriminatory collecting and exhibiting practices of the most feared art dealers, curators, and collectors. Expanding their work to include non-visual arts media in the 1990s, the Guerrilla Girls have taken on everything from the discrimination of women film directors to the environmental crisis. Focusing primarily on recent work from the past decade, this exhibition features rarely-shown international projects that trace the collective’s artistic and activist influence around the globe. In addition, a selection of iconic work from the 80s and 90s illustrates the formative development of the group’s philosophy and conceptual approach to arts activism. Documentary material, including ephemera, behind-the-scenes photos, and secret anecdotes, reveal the Guerrilla Girls’ process and the events that drive their incisive institutional interventions. Visitors can peruse the artists’ favorite “love letters and hate mail,” and are invited to contribute their own voices to interactive installations. This multimedia, expansive exhibition illustrates that the work of the anonymous, feminist-activist Guerrilla Girls is as vital and revolutionary as ever.
 
Not Ready to Make Nice was curated by Neysa Page-Lieberman and organized by Columbia College Chicago. To learn more about this traveling exhibition and to order a catalogue visit colum.edu/guerrillagirls.

This exhibition was featured in artforum.com's “Critics' Picks” section, a select review of shows worldwide.

View video of an original Guerrilla Girl talking about their work and the exhibition here.

 

2014

qc_peters_spiderwebJason Peters: Refraction

April 24 - June 27, 2014

Fascinated by the destabilization of perception, Jason Peters creates illusory spaces and alternative realities through his work. Intentionally designed to trigger a cathartic sense of the sublime in his viewers, the artist amasses vast quantities of discarded objects from everyday life that he then reconfigures in surprisingly unexpected ways. The results lift these "societal casts-offs" — including contractor's buckets, fluorescent lighting tubes, and metal chair frames — beyond the bounds of ordinary physical existence. In doing so, Peters invites the viewer to see beauty where before there was refuse, to experience flux where before there was stasis, and to experience a focused calm where before there was alarm. In this exhibition, the artist will create several site-specific installations, one of which will respond directly to works on view in La Ragnatela: The Spiderweb Works by Giampaolo Seguso from the Corning Museum of Glass (on view at the Bellarmine Museum of Art, April 10 – June 13, 2014).

 

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Reflections and Undercurrents: Ernest Roth and Printmaking in Venice, 1900-1940

arts_exhib_roth150January 23 - April 4, 2014
Reflections & Undercurrents features prints by the German-born American painter and etcher Ernest Roth (1879-1964) and his contemporaries, including John Taylor Arms (1887-1953) and Joseph Pennell (1860-1926), exploring the connections between the art they made in early 20th-century Venice. The exhibition includes over ninety works and embraces a range of media, including etchings, drawings, sketchbooks, and photographs as well as Roth's original print making tools. Organized by Dr. Eric Denker (Senior Lecturer, National Gallery of Art) and Dr. Philip Earenfight (Director, Trout Gallery, Dickinson College), this show complements In the Wake of the Butterfly: Whistler and His Circle in Venice, on view concurrently at the Bellarmine Museum of Art.

To more fully experience this exhibition, you are invited to download a PDF here. In it you will find an interactive map, which will allow you to explore the prints highlighted in these shows and to see images of what locations caputred  in these works look like today. You can also listen to audio tours and watch a short video, featuring Dr. Eric Denker discussing a selection of objects featured in Reflections & Undercurrents.


Download the guide on the MustSee app:
Reflections & Undercurrents: Ernest Roth and Printmaking in Venice, 1900-1940

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2013
Fall: The Rise of a Landmark: Lewis Hine and the Empire State Building
Winter: Colleen Browning: Brush with Magic
Spring: Po Kim: Spirit of Change

2012
Fall: Marlene Siff: Elements of Peace
Winter: Sylvia Wald: Seven Decades
Spring: SoloCollective - Jr/Sr Exhibition
Summer: History of Woman

2011
Fall: Beyond the Rolling Fire: Paintings of Robyn W. Fairclough
Winter: Norman Gorbaty: To Honor My People
Spring: The Flowering of Punk Rock
Summer: Director's Choice: Five Local Artists

2010
Fall: Joel Carreiro: Seeing Things
Winter: The Art of John "Crash" Matos
Spring: Platform - Jr/Sr Exhibition
Summer: Bramble & Bramble: Remnants, Glyphs, and Palimpsests

2009
Fall: Art & Human Consciousness: The Art of Robert January
Winter: Marilyn Cohen: Layers of Time and Memories
Spring: Robert Vickrey: The Magic of Realism
Summer: Ernest Garthwaite, Wetlands: A Spiritual Refrain

2008
Fall: A New Reality: Black and White Photography in Contemporary Art
Winter: Donald Vaccino: The Emperor's New Clothes
Summer: Thomas Weaver: Falling and Floating

2007
Fall: The Creative Photograph in Archaeology
Winter: Multiple Visions: Traveling Art Boxes from Argentina, Mexico, Uruguay
Spring: Suzanne Chamlin: Painting the Landscape and Other Views
Summer: Emptiness: Sculpture by Michael River

2006
Fall: National Sculpture Society Annual Awards Exhibtion
Winter: Faith Ringgold
Summer: Barbara Wilk: Mostly Landscapes and Birds

2005
Fall: Indian Paintings of the New Millenium: Sunanda and Umesh Gaur Collection
Winter: Ethiopia: Religious Pageantry and Tribal Traditions (Barbara Paul)
Spring: Student Art Exhibtion
Summer: Night & Day: Women's Caucus of Art (CT) Juried Exhibition

2004
Fall: Photographs of the Athenian Acropolis: The Restoration Project
Winter: A World of Stage: Russian Costume and Stage Design
Spring: 2004 Faculty Art Exhibition
Summer: Connecticut Women Artist Juried Exhibition

2003
Fall: Across Time: The Photographs of Cynthia Brumback
Spring: 2003 Student Art Exhibition

2002
Fall: Sal Sirugo: From the Intimate to the Infinite
Late Fall: What Now: Comtemporary Painting, Sculpture, Photography, and Multi-Media Installation
Winter: Shall We Dance: A Century of African-Americans in Dance
Spring: Claudia Schechter: People from Foreign Lands
Summer: The Esstential Moment: A Survey of the Paintings, Works on Paper and Sculpture of Joseph Peller

2001
Fall: Michael DillonL Perfectus-Imperfectus (1980-2000)
Winter: The Mystical Arts of Tibet: Mandala, Photography and Dance
Spring: Studio Selects: A Juried Exhibtion
Summer: Contemporary Realism (Bettie and Samuel Roberts)

2000
Fall: Wang Ming: Universal Dimensions
Spring: Realism: The Spirit of Soviet Art 1932-1980