Assistant professor of religious studies Thomas C. Schmidt, PhD, visited the Vatican Apostolic Library this past summer to participate in a conference on the ancient "Statue of Hippolytus." The statue, dating back to 222 A.D., is considered the oldest precisely datable Christian artifact in the world.
The "Statue of Hippolytus" is a key artifact in understanding this complex figure's legacy as the only person in Christian tradition to be both an antipope and a saint. Dr. Schmidt, a specialist in early Christian texts and their historical context, was among a diverse group of experts from around the world who were invited to contribute insights on the statue's mysterious inscriptions, which have puzzled scholars for centuries.
The experience was both exhilarating and humbling for Dr. Schmidt, who is co-editing a book on the conference proceedings alongside András Németh, Curator of Greek Manuscripts at the Vatican Library.
“This statue of Hippolytus is so precious,” Dr. Schmidt said. “It stands at the entryway to the Vatican Apostolic Library and is one of their chief objects because it's so early and its inscriptions are very extensive. Hippolytus of Rome was an early bishop. He was actually traditionally thought of as an antipope. He opposed the bishop of Rome, but then reunited with the Church.”
The statue had been largely inaccessible to scholars until recently. For centuries, it stood in the high entryway of the Vatican Library, making it difficult for scholars to closely examine its details. However, recent renovations to the library have moved the statue to a more accessible location, allowing researchers to study it up close for the first time.
Dr. Schmidt’s primary focus at the conference was to decipher the inscriptions on the statue, much of which had been damaged over the centuries. The seated figure had been broken off when the statue was discovered in the 1500s, and later repairs were made. Despite these alterations the inscriptions remain intact, offering valuable clues about the statue’s origin and purpose.
“The inscriptions are all original and authentic, and they're fairly extensive. For me, that's what makes it so interesting — these beautiful inscriptions,” said Schmidt. “They're in Greek. The educated elite often wrote in Greek instead of Latin, even though the statue was in Rome.”